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Showing posts with label RetroLowFi. Show all posts
Showing posts with label RetroLowFi. Show all posts

Sunday, March 9, 2008

Chris Zabriskie: O Great Queen Electric, What Do You Have Waiting For Me? (2008)



First of all, is this really Chris, a writer for RetroLowFi? Most know Chris as the writer who tends to make lots of big statements in his hatred for certain films and bands (most notably My Chemical Romance and sadly Death Proof), but he also writes eloquent praises (most notably for the films Psycho II and Danny Boyle’s Sunshine). Either way he is a man in my mind who voices his opinions loud and proud, but on O Great Queen Electric, What Do You Have Waiting For Me? Chris sounds tender, focused and triumphant.

The album blazes its way quite easily with “I Can Be Your Love,” which has one of the coolest hooks to sing along to I have heard in awhile. I catch myself doing it in the shower, on the way to class and even right now as I’m listening to it. The song reminds me of a kind of noise-pop/electronica hybrid as the fuzz is slowly taken over by electronic warble.

O Great Queen Electric... starts out quite raucous and you could say it loses energy as it moves along, but the more I listen the more the latter half also strikes me as being as beautiful if not more moving than the first half. “God’s Will” is played tensely on acoustic guitars with Chris’s hushed vocals echoing melancholic religious apathies, “leave them now/they’re happy where they are/leave them now/they’ll watch you from afar.” And when the lone piano comes in the song (and your heart) hits the breaking point. The album’s weight shifts dramatically.

And throughout the album, Chris’s simple, but perfect orchestration of each song allows not one wasted note. On “If Only She Knew,” a simple acoustic guitar provides the backing to his yearning voice. The song comes to a perfect crescendo with a little gap of silence and then after a few seconds, he double tracks the vocals. This twofold attack perfectly fulfills the kind of reaction we would have in this kind of situation where all we want to do is scream out, “If only she knew/the things that I do.”

I find myself falling harder and harder for this album. It also makes me rethink Mr. Zabriskie too. At first I was turned off by his abrasive style of writing, but with O Great Queen Electric, What Do You Have Waiting For Me? I see a bigger and grander picture of a passionate individual so fueled by his artistic intake that he’s bursting at the seams to let it all out. This album is a disciplined, mature and joyful look into what makes Chris tick and how he reacts to this crazy world. I think if I ever get brave enough to read his negative review of Children of Men I’ll listen to “God’s Will” to understand why.

Mp3:
Chris Zabriskie-“God’s Will”

Links:
Chris Zabriskie on myspace
Preorder O Great Queen Electric, What Do You Have Waiting For Me? on his website
RetroLowFi

Friday, December 7, 2007

Marc With A C: Normal Bias (2007)



I’ll be honest and say I was a bit intimidated when I received Marc Sirdoreus’s latest album under the moniker Marc With A C. And it’s only because I adore the site that he writes for, RetroLowFi. As a music lover and critic his reviews are very insightful and humorous (I don’t always agree, but its all in good fun). So when it came time to listen to his music I couldn’t even begin to imagine what it would sound like. Thankfully it is warm, passionate, clever and classic. On Marc’s latest record Normal Bias he is in the business of deconstruction. Every song takes common themes (bad dads, rock ‘n’ roll, song writing, old flames, and cathartic experiences, anti-home, etc.) and cleverly deconstructs them with a grand helping of personal experience to really ground this record. It makes the album name Normal Bias even more poignant. The first song, “Classic Country Wasn't Multitracked In '61” hits hard with an insane hook packed in a familiar melody that’ll have you singing along even if didn’t think you could. It showcases quite sarcastically the conflicts and ironies of living, with Marc singing, “X amount of flour doesn’t bake a cake/ less is more especially on repeat/ the music’s kind of sad but that’s a good beat.” I really can’t think of another occasion where the phrase “Life would be so grand” could be uttered so heartily. The song “Dear Son” starts off as a classic “I hate my dad/dad ask for forgiveness” kind of track, but of course instead of revisiting every tortured 90s musician rendition of this theme, Marc twists this into a tragically humorous tale where the father threatens his son with his biker friends, hits on teenage girls using Staind demos and actually finds the nerve to place the blame on his ex-wife and son. This song straddles the border between hilarious and heartbreaking; I’m not sure if it’s real or not, regardless it’s effective. “Happy To Be Alive” is the kind of album closer we all hope for; it’s optimistic, reflective and self-effacing. There is no hint of irony in Marc's voice when he sings, “Right now I’m just happy to be alive,” there are only the ironies of life that exist to humble us and make us grateful for the moments when things are wonderfully clear. Normal Bias is a fantastic album and being a musician and blogger like Marc, I can see the insane passion and love he has in every word he writes and sings. Its overflowing and infectious.

Mp3:
Marc With A C-“Classic Country Wasn't Multitracked In '61”

Links:
Order the album here and learn more about Marc
Marc With A C on myspace
RetroLowFi