under construction! Don't be alarmed, new layout coming soon...yeah right
Showing posts with label Rilo Kiley. Show all posts
Showing posts with label Rilo Kiley. Show all posts

Monday, September 10, 2007

MIX TWO: NorCal Road Trip Mix


The open road, the open sky

It was time again for another road trip up to Northern California (“affectionately” dubbed NorCal). Work was slow, I felt a comfortably confident about my place in class, my legs were itching to see the highway and I had lots of good music and I need even more good music. I headed to Santa Rosa and Berkeley this time around to visit some close friends. There are some great music and movie stories there too. However on the way up I had to stop at Best Buy (there are none in Santa Barbara). They were having a $3.99 movie sale and though most of the movies were bad I was able to pick up Pi, Audition and American Psycho. I also bought a “greatest hits” compilation of The Temptations comprising of their songs from the 60s (their best period). If you ever get out to Santa Rosa (home of Charles Schultz and the location of Hitchcock’s first American film Shadow of a Doubt) you should all definitely check out The Last Record Store. Located next to the Junior College, this little but packed record store hosts an interesting, but diverse collection of CDs, vinyl and music DVDS. The Reggae section is the most impressive and the vinyl has great prices. I was able to find the recent but rare Flight of the Conchords EP The Distant Future and Bob Dylan’s Nashville Skyline on vinyl. The album cover is possibly one of my favorite album covers ever. I didn’t spend too much there because I knew once I strolled into Berkeley on a Sunday afternoon I would be going to Rasputin. My favorite record store, it hosts an impressive diversity of CDs, vinyl, tape and an amazing DVD section in the store (Note: They have a large section devoted to Criterion Collection and foreign films). While I was there I was able to pick up Darren Aronofsky’s greatly ignored epic from 2006 The Fountain and Wong Kar-wai’s amazingly poetic film 2046. I also found the sort of rare album Black Monk Time from the anti-Beatles The Monks, and one of Numero Group’s amazing compilations Eccentric Soul: The Prix Label. The next day I could not resist, I had to go to Amoeba too. I mean I have a job now, I can afford all this right? The Amoeba in Berkeley (down the street from Rasputin mind you) is not nearly as impressive as the one in Hollywood, but it still is great for carrying stuff that you would only be able to buy online. I was able to find Bob Dylan’s under appreciated 1970 album New Morning, Casiotone For The Painfully Alone’s second album of lo-fi goodness Pocket Symphonies for Lonesome Subway Cars, The Pogues Irish Folk Punk masterpiece Rum Sodomy & The Lash, and Bob Dylan’s “Reggae” album Infidels on vinyl.


My friend's apartment overlooking Telegraph in Berkeley.

Too much good music to manage, but six hour long car rides gave me ample to time to explore these albums and then some. So without further ado here is my NorCal mix, enjoy!

The Monks-“Monk Time”
The Monks were a group of soldiers who were stationed in Germany together. They became dubbed the anti-Beatles for their focus on rhythm as opposed to melody. Everything about The Monks can be found in this great opener off of Black Monk Time; anti-war Dadaist yelps, tribal-like drums, monk like chanting, and just all around coolness with being formally against everything 60s.

Rilo Kiley-“15”
This lovely horn laden track off of their latest album Under The Blacklight took some time to grow on me, but now I love it. This is a great song to sing while following the dusty landscapes. I mean what can be better than singing, “But she was only/only/only/15!” at the top of your lungs with the windows rolled down? Plus the theramin solo is just wicked.

Bob Dylan-“The Man In Me”
Kind of a cult favorite, this track off of 1970’s New Morning is so sublimely happy, is it to good to be true? Maybe, but I don’t care and neither should you. Just sing those la la las until everyone on the highway starts singing along.

Joe King-“Speak On Up”
Normally a guitarist for other Prix artists like Eddie Ray he got his own shot at singing duties in this quasi-gospel number. He has a smooth, unassuming voice that totally sells this tale of yearning and desire. On the road we have time to think of those ones who we wish would love us, and we just want them to “Speak on up!” All we need is some back up singers.

Kanye West-“School Spirit”
Right now I am in a big Kanye West mode. This hot track off of his first album The College Dropout is one of the best examples of Kanye’s signature style of using great samples and speeding them up. Here he use’s Aretha Franklin’s “Spirit In The Dark” to maximum effect while rapping about dropping out of college to make it big. If only I were so brave. Whatever, I’m living vicariously through this song.

Casiotone For The Painfully Alone-“Destroy The Evidence”
Owen is a pretty emotional guy, but this one packs a wallop. Listening to this song at 5:30am on the road brought tears to my eyes. It has a great drum track and Owen is the Vonnegut of lo-fi with lines like “There are 26 steps to your door/but I’m not counting anymore”. There is nothing so succinctly said, but so expansively felt.

Otis Redding-“Pain In My Heart”
Perhaps the greatest song about heartbreak of all time, Otis Redding’s voice digs so deep into our minds and our hearts that I sit back reeling by how physically effected I get while listening. Try singing along to this and not losing your voice by the end of it. Sadly Otis Redding was not with us for very long, but his legacy will last beyond the end of time with songs like this.

The Pogues-“A Pair of Brown Eyes”
Shane MacGowen is the greatest drunk poet of the last thirty years and it really stands out in this track off of their second album Rum Sodomy & The Lash. “And I heard the sounds of long ago from the old canal/and the birds were whistling in the trees/Where the wind was gently laughing.” Sentimentality has often been associated with schmaltz, but Shane MacGowen and The Pogues shed those labels. They took gritty realism and infused it with romantic sentimentality creating songs like this one that made you cry and smile at the same time. A great sing along too, “And a rovin’ and a rovin’ and rovin’ I’ll go/for a pair of brown eyes!”

The Temptations-“I Wish It Would Rain”
This 1968 tune from Motown’s greatest hits all the right notes at all the right moments. Probably one of the most melancholy songs sung with the original lineup you just can’t help but feel lines like, “But everyone knows that a man ain't suppose to cry, listen/I gotta cry 'cause cryin' eases the pain, oh yeah.” All the men out there gotta sing this one loud!

Freezepop-“Outer Space”
This song by my favorite Synthpop band is off of their second album Fancy Ultra-Fresh. It makes me feel infinite. Listening to it at six in the morning when the sun starts to rise feels like nothing else. I’m soaring, flying sailing speeding through this world and beyond.


There is a dusty road somewhere that is most beautiful at 6 am

MIX TWO is complete. Sorry it took so long to get up, but I’m in-between apartments at the moment. When I get settled there will be more updates I promise!

Links:
The Last Record Store in Santa Rosa
Rasputin
Amoeba

The Monks' site
Rilo Kiley on Myspace
Bob Dylan's site
The Numero Group with info on Joe King and more!
Kanye West on Myspace
Casiotone For The Painfully Alone on Myspace
Otis Redding's site
The Pogues on Wikipedia
The Temptations on Wikipedia
Freezepop on Myspace

Wednesday, August 22, 2007

Rilo Kiley: Under The Blacklight (2007)


I was introduced to Rilo Kiley by my sister on the way back from Vegas a few years ago and I immediately fell in love with them, which is why I am in quite a state at the moment and no more than right now am I so compelled to write a review for Rilo Kiley’s Under The Blacklight. Most reviews have dammed it to hell and others have said it is fun. Saying it’s a fun record is a meek way of saying you like it but are too ashamed to admit it. Under The Blacklight is a damn fine record. Not the best in the Rilo Kiley catalogue, but none of their records have been perfect. Jenny, Blake, & crew have never been good at releasing great records; what they do release is great songs and this album is chock full of them. I’m obsessed with “Silver Lining” at the moment. It starts out with a neat intricate guitar line, rockin’ drum beat, handclaps, and Jenny Lewis at her most soulful. Every time I walk to class I want to belt the chorus out and I get chills when she sings, “I never felt so wicked/ as when I willed our love to die.” It morphs into a gospel number by the end and Jenny Lewis preaches a message of being happy with oneself, “I'm your silver lining/ hooray hooray/ but now I'm gold!” Amen sister. There has been a lot of conversation on the nature of “The Moneymaker” and I’ll only say this: lots of people were pissed off at “Like A Rolling Stone” but they still sang along anyway. “Breakin’ Up” is another favorite of mine that uses possibly one of the most tender keyboard riffs in years before morphing into a 70s disco number that brings up images of roller-skating rinks. It’s totally groovy. The song’s genius is its ability to address the lyrical content in a thoughtful way while at the same time pointing out its absurdity. No more is this sentiment echoed than in the first line, “it's not as if New York City/ burnt down to the ground.” While The Elected’s 2006 release Sun, Sun, Sun is one of my favorite albums of all time I was never a big fan of Blake’s songs on any Rilo Kiley release (the exception being “Ripchord” on More Adventurous). Yet, “Dreamworld” is as infectious as the title suggests and the driving bass, thumping drums, and whispery vocals from Blake culminate into a hallucinatory journey contained in a 4:45 song. “Give A Little Love” is reminiscent of 80s ballads and its Nintendo-esque synth line fits it well. It’s got a great little beat and its insistent chorus is something to be marveled at. I bet you all it’ll be sampled in a rap song by the end of the year (Kanye West I’m looking at you). It is a nice poignant way to close the album and not as grandiose as “Spectacular Views” or as prophetic as “It Just is.” And this can be said about the entire album. It has an intricate simplicity and subtlety in the face of the all shenanigans being raised about it being overproduced and lyrically dreadful. Give me a fucking break; listen to every Rilo Kiley album, the production quality is about the same on all of them. This album is so shocking to some because of the 180 degree change in musical and lyrical style. But really, the attitude is still the same since Jenny was belting out “Plan Crash in C” off of Take Offs & Landings. From such sweeping narratives off of The Executions of All Things and More Adventurous this new album is so minimalist it probably hurts at first. Imagine trying to condense a Paul Thomas Anderson film into the structure of Jim Jarmusch. With that said, I have a feeling that Jenny and Blake wanted to focus more on the feeling of things rather than tell concrete stories. This is can even be seen in the difference of the album booklet between Under The Blacklight and More Adventurous. The former contains a few simple mood shots showing the “seedier” side of LA and provides another piece of what the album is about. The latter contains dozens of shots of the bands, providing a story to see who the band is, and what kinds of the stories they are going to tell. Now I guess every argument about the band has come down to this, which approach is better? Most due to their “closeness” with Rilo Kiley’s previous material have rejected this new album completely (Pitchfork, as predictable as always). It makes me sad, but again to use a Dylan comparison, many people didn’t understand when he went electric, or country, or even Christian, but in time people began to see the bigger picture. In time we will see where Under The Blacklight fits, but for now I’m going to dance and sing along quite happily.

Mp3:
Rilo Kiley-"Breakin' Up"

Link:
Rilo Kiley main site
Their Myspace

Other Reviews:
My Little Ghost Friend
Pitchfork
Retro Lowfi
Rolling Stone
Uncut review and interview with Jenny Lewis