Maria Bamford

If you have never heard of comedian Maria Bamford, please watch this video. It'll make you smile uncontrollably. Clinical depression has never been funnier. She is a brilliant comedian who uses her own insanity to make use realize that we are all crazy.



This video explores what it means to tell comedy and to be yourself. I can soooooo relate. You'll get what I mean when you see it. =)

Her myspace
The Maria Bamford Show!
mariabamford.com

Rilo Kiley: Under The Blacklight (2007)

I was introduced to Rilo Kiley by my sister on the way back from Vegas a few years ago and I immediately fell in love with them, which is why I am in quite a state at the moment and no more than right now am I so compelled to write a review for Rilo Kiley’s Under The Blacklight. Most reviews have dammed it to hell and others have said it is fun. Saying it’s a fun record is a meek way of saying you like it but are too ashamed to admit it. Under The Blacklight is a damn fine record. Not the best in the Rilo Kiley catalogue, but none of their records have been perfect. Jenny, Blake, & crew have never been good at releasing great records; what they do release is great songs and this album is chock full of them. I’m obsessed with “Silver Lining” at the moment. It starts out with a neat intricate guitar line, rockin’ drum beat, handclaps, and Jenny Lewis at her most soulful. Every time I walk to class I want to belt the chorus out and I get chills when she sings, “I never felt so wicked/ as when I willed our love to die.” It morphs into a gospel number by the end and Jenny Lewis preaches a message of being happy with oneself, “I'm your silver lining/ hooray hooray/ but now I'm gold!” Amen sister. There has been a lot of conversation on the nature of “The Moneymaker” and I’ll only say this: lots of people were pissed off at “Like A Rolling Stone” but they still sang along anyway. “Breakin’ Up” is another favorite of mine that uses possibly one of the most tender keyboard riffs in years before morphing into a 70s disco number that brings up images of roller-skating rinks. It’s totally groovy. The song’s genius is its ability to address the lyrical content in a thoughtful way while at the same time pointing out its absurdity. No more is this sentiment echoed than in the first line, “it's not as if New York City/ burnt down to the ground.” While The Elected’s 2006 release Sun, Sun, Sun is one of my favorite albums of all time I was never a big fan of Blake’s songs on any Rilo Kiley release (the exception being “Ripchord” on More Adventurous). Yet, “Dreamworld” is as infectious as the title suggests and the driving bass, thumping drums, and whispery vocals from Blake culminate into a hallucinatory journey contained in a 4:45 song. “Give A Little Love” is reminiscent of 80s ballads and its Nintendo-esque synth line fits it well. It’s got a great little beat and its insistent chorus is something to be marveled at. I bet you all it’ll be sampled in a rap song by the end of the year (Kanye West I’m looking at you). It is a nice poignant way to close the album and not as grandiose as “Spectacular Views” or as prophetic as “It Just is.” And this can be said about the entire album. It has an intricate simplicity and subtlety in the face of the all shenanigans being raised about it being overproduced and lyrically dreadful. Give me a fucking break; listen to every Rilo Kiley album, the production quality is about the same on all of them. This album is so shocking to some because of the 180 degree change in musical and lyrical style. But really, the attitude is still the same since Jenny was belting out “Plan Crash in C” off of Take Offs & Landings. From such sweeping narratives off of The Executions of All Things and More Adventurous this new album is so minimalist it probably hurts at first. Imagine trying to condense a Paul Thomas Anderson film into the structure of Jim Jarmusch. With that said, I have a feeling that Jenny and Blake wanted to focus more on the feeling of things rather than tell concrete stories. This is can even be seen in the difference of the album booklet between Under The Blacklight and More Adventurous. The former contains a few simple mood shots showing the “seedier” side of LA and provides another piece of what the album is about. The latter contains dozens of shots of the bands, providing a story to see who the band is, and what kinds of the stories they are going to tell. Now I guess every argument about the band has come down to this, which approach is better? Most due to their “closeness” with Rilo Kiley’s previous material have rejected this new album completely (Pitchfork, as predictable as always). It makes me sad, but again to use a Dylan comparison, many people didn’t understand when he went electric, or country, or even Christian, but in time people began to see the bigger picture. In time we will see where Under The Blacklight fits, but for now I’m going to dance and sing along quite happily.

Mp3:
Rilo Kiley-"Breakin' Up"

Link:
Rilo Kiley main site
Their Myspace

Other Reviews:
My Little Ghost Friend
Pitchfork
Retro Lowfi
Rolling Stone
Uncut review and interview with Jenny Lewis

I'm Not There Trailer hits Teh Interwebz

IGN is the first site to release the trailer for the Todd Haynes flick based on Bob Dylan's life called I'm Not There. The cool thing about this "biopic" is that six different actors (Marcus Carl Franklin, Ben Whishaw, Heath Ledger, Christian Bale, Richard Gere, and Cate Blanchett) will be playing Bob Dylan at different stages of his life. When I first heard the premise I was immediately excited because the recent slew of biopics all followed the same formula: Musician experiences traumatic moment as a child, meets a girl, becomes famous, gets the girl, does drugs, potentially loses girl, and then gets over drug due to the love of the girl. I'm Not There seems like a much more compelling approach. However, I haven't seen a Todd Haynes film yet so I do not know what to expect. All I know is that this trailer makes me giddy as a hardcore Dylan fan. Enjoy!



I'm Not There Downloadable at IGN

IMDB page

The Lonesome Architects: The Ocean at Night (2007)

The Lonesome Architects are a band (Josh and Martin) originating from LA who play dare I say, “Folktronica”? Is it possibly the greatest antithesis to rap/rock? Genre-bending aside, their latest EP The Ocean at Night is a surprising album given their more acoustic background. However there were inklings of the sound on their last record 15 songs of loss, love and longing. This mixing of folk and electronic music is simply stunning and each form compliments each other greatly. The warm intimacy of acoustic guitars entwined with the cold discipline of electronic beats really recreates the surreal landscape we all live in. So what is this EP all about? Well relationships are one big answer and our relationships to those relationships too. It’s very post-modern; the very best kind. I think I really like The Lonesome Architects because of the pervading sense of individualism that comes from these two guys. It isn’t a selfish or self-absorbed type of individualism, it is us the individual who looks and feels and perceives. I could go on and on about this type of stuff (I’m taking culture and film theory at the moment), but I think what will really win you over is their craft at coming up with very memorable melodies and interesting song structures. “Julie Vignon” is an instant classic. It has a very biting edge to it; a synthesized beat intermixed with some screeching guitar, handclaps and a killer hook, “And now I’m living alone/ just like Julie Vignon/you can catch me by/ the swimming pool anytime.” I’d be afraid to be this girl. Josh and Martin mentioned at the Muddy Waters show yesterday (Read my review here) that while making this record they decided to make it a dance record, or an attempt at one. Now I wouldn’t necessarily call this a dance record, but if some DJ were to remix it I’m sure it would be tearing up the clubs. The song, “Was It You?” Is the most obvious of their intentions. It is the kind of dance song all young un-dance oriented guys would make who wished they had moves (like me): earnest, serious, and a bit cute (in a good way!). The poetry is something else when Josh sings, “And in to this field of schemes/ that once was filled with dreams/ but dreams do rot/ and fruit gets soft/it’s true or is it not?” Attempt to get The Ocean at Night any way you can right now. It is necessary for anyone who’s ever thought about our place in this world and with everyone else.

Mp3:
The Lonesome Architects-“Was It You?”

Their Myspace with "Julie Vignon"!
On Virb!

Fox Paws: Macondo EP(2007)

I recently got a hold of Fox Paws new EP Macondo. If you haven’t heard of these guys they are band from Chicago who sound like so many things at once. This isn’t a detractor; it’s a plus because their music is so much fun! It is as if you took Paul Baribeau, teamAWESOME!, and ska music with a dash of politics and tossed it into a one giant music whirlpool; this would be Fox Paws. They have a messiness about them is charming and infectious. Standout tracks include the opener “Baribeau” which is an homage to our big hearted bearded friend from Michigan. I like the song because it doesn’t try to copy a Paul Baribeau song, rather, it captures the spirit of his songs whilst being true to Fox Paws own hodgepodge style. All you need to know about “Arcadio” is that they do the trumpets with their voices and not since “Lady Madonna” has doing that been as much fun. “Rejoice!” is a great song that I can’t even describe, but does that weird radio voice effect that really fits with its anti-war themes. Everyone definitely needs to check these guys out, look for them and get caught up. You might dance without realizing.

Mp3:
Fox Paws-"Arcadio"

Fox Paws' Myspace

The Mutineers, The Lonesome Architects, and Watercolor Paintings at Muddy Waters

I always enjoy the shows at Muddy Waters down on Haley Street, but yesterday was special. I saw The Lonesome Architects in February and I was blown away. Finally after much delay they came back to Santa Barbara. Due to some pulled wisdom teeth, Thousand Oaks’ own Hell-Kite could not make it to the show so several random audience members (including me) played a song or two to warm things up for the main bands.



The Mutineers played first and brought everyone into their enjoyable form of folk-rock. They played a song every young twenty something who’s looking for a job and likes to get wasted on coffee can relate too. She definitely could relate. The end of the set concluded with a wonderful ode to country music and a great tribute to death metal (On two acoustic guitars and a tambourine mind you).



Next up was The Lonesome Architects. This time around they had an expanded set with the addition of a keyboard. Comprised of Josh and Martin, they trade vocals, guitars, and all the other random instruments they use (melodica, harmonica, and keyboard). The opened with “Echolocation,” one of my personal favorites and played a bunch of songs off their new EP (My review is here). They put new live spins on “Julie Vignon” and a really old song that I heard back in February, “Anna’s Hands.” Overall their set was as great if not better than the first time I saw them (I also helped them move a table. How often can you say you’ve done that with Bright Eyes?). More time on the road has made them better musicians and the new keyboard works so well with the songs. This was the last night of their tour for now, but if they come around to your area do not miss them.




Next up was the always enchanting Watercolor Paintings comprised of Rebecca Redman and her older brother (king of all beards) Josh Hoshwa Redman. I have seen them play about two dozen times and in various incarnations (the drum phase, the Rian James phase, etc.), but I really dig what they are doing at this moment. The set nowadays always involves her harp, a baritone ukulele, a soprano ukulele, and a classical guitar. She played such classics as “Happy Ships,” “Gold,” “Hello Out There,” “Smile,” and “Tender Loving Care”. She also played a song called “Sailboat” that she has yet to make a releasable recording of (It’s really sweet). Watercolor Paintings is touring soon and if you want to see the sweetest vegan punks play, you should definitely check them out. I’ll post the tentative dates and locations soon.

Muddy Waters is a great little coffee shop that is welcoming to all kinds of wonderful local and touring bands. Last night was another fun and enlightening time for “little music made by people with big hearts.”

Mp3s:
The Mutineers-"Coffee Mug"
The Lonesome Architects-"Echolocation"
Watercolor Paintings-"Happy Ships"

Links:
Muddy Waters
The Mutineers' Myspace
The Lonesome Architects' Myspace
Watercolor Paintings' Myspace

MIX ONE: Instrumental Music

It is time to do my first mix so I thought long and hard about what I should do first. I don’t know if it’s been done, but even if it has I put together a ten song mix of amazing instrumentals. I think songs can be powerful, emotional, intelligent and thought provoking without having to say a single word. The music can carry its own weight and on these ten tracks, the music really gets into some great places.

Iamb-“Alone”
Iamb comes from the mind of Ross Major and this is the first track off of I'll Stay Waiting. It’s quite haunting opener that starts off like a fire alarm before blending with a church-like grandeur that is the organ. A striking mandolin part rolls in at a certain point and it all leaves me feeling so small, yet infinite.
Bright Eyes-“The Invisible Gardener”
This cut is the first track off of Conor’s first real record as Bright Eyes, A Collection Of Songs Written & Recorded 1995-1997. It starts out with some messing about on a synth and a false start before jumping into a sweet little song with a sweet little melody that reminds me of being a kid.
Jonah the Thief-“Icelandic Noah”
I do not know who this guy is or what he is doing anymore. I discovered him about a year ago (He’s from the UK I know that), but his Myspace and all traces of him are gone. Do you all know that technique they use videos/films where the time is sped up and they show all the traffic and the sunsets/sunrises at ridiculous speeds? I always found that to be beautiful and this song feels like that.
Mike XVX-“Instrumental Music”
A wonderful friend of mine, I got a hold of this song from one of his demos on his birthday. He’s a thrash-folkie, but this track trades in the thrash for some wonderful mandolin work that’s pretty punk rock. It’s Simple, but wonderfully effective.
Led Zeppelin-“Bron-Yr-Aur”
What’s to say about Led Zeppelin? This little instrumental track is wedged in the middle of their 1975 massive album Physical Graffiti. It feels like the first night after a long journey. Calm reflection with a bit of dreams.
Watercolor Paintings-“Three Over Four”
Cutest little punk rocker if I ever knew one. This is one of the first tracks of hers that I heard (and eventually covered myself). Santa Barbara’s very own Rebecca Redman manages to bring back the feelings of 50s pop songs in a very efficient and wonderful forty-three seconds.
The Pillows-“Stalker Goes To Babylon”
Japan fuzz rockers most known for their work in the greatest anime ever, FLCL, really created a whole new level of pre-made music integration into a show (Many scenes were written with the music in mind). This track get’s used to the fullest effect in the show’s second episode and freaks me out sometimes. It’s pretty awesome.
SXEZSKOZ-“Balloon Ride (Ghostwalking)”
This was composed by the great Alfredo Barazza under the electronica/techno moniker SXEZSKOZ for a 2007 UCSB film called The Titan Sting. I wish this song would just loop over and over again everyday. It’s happy and melancholy and bittersweet. When I listen to this song I feel like my life flashes before my eyes.
RJD2-“Smoke & Mirrors”
Some may feel like I’m cheating by putting this track with a sample by hip hop/rock/electronica artist RJD2 (It samples Marion Black’s “Who Knows”). However, a great man once told me that the sampled voice is another instrument in a DJ’s repertoire. Plus its just an amazing and cool song.
Death in Vegas-“Girls”
To wrap it up I decided to put one of my favorite songs from the 2003 Sofia Coppola masterpiece that is Lost in Translation. My favorite (or second favorite) film of time, this song by electronica artists Death in Vegas uses lush female “ooos” and “ahhs”, guitars, synths and drums to create a dream-like landscape. It starts out slowly, but revs up in intensity reminding you of loneliness and beauty and industrial skylines that can still stir some feelings inside you.

So that’s it, Mix ONE is done! I hope everyone enjoys some or all these songs and please send me some feedback or advice on any future mixes or anything in general.

Iamb Myspace
Bright Eyes Myspace
Mike XVX Myspace
Led Zeppelin.com
Watercolor Paintings Myspace
The Pillows Myspace
SXEZSKOZ Myspace
RJD2 Myspace
Death in Vegas Myspace